Maddy Chassar Hesketh

'The Silent Unwinding' is a collection of tracks (some initial ideas recycled from when I was 10 years old!).The idea of 'unwinding' can be meant in both a positive and negative way, and can be applied to most situations we find ourselves in. The most important unwinding at the moment is the situation of our planet, and each track looks at the great and small of this unwinding (small=a flower by the wayside, great=universe as art). I hope that whoever listens to any of these tracks is able to interpret and imagine both what I have titled the piece, but also in any way they like too, as I feel these tracks can evoke many different ideas and thoughts!

The album also has a booklet with it, which contains thoughts from some of my favourite writers and gave the titles of the tracks (for example,'England is a Shipwreck' was from prose by Mat Osman, and 'Geometric pulling Points is taken from Galaxies to Cells by Donna Carey). These different ideas are some of the things that have influenced the music on this album, and were definitely near by as I was writing these tracks!

The album was fully supported and funded by Young Sounds UK! 

Thank you for reading, hope you get the opportunity to listen :)

https://maddychassarhesketh.bandcamp.com/album/the-silent-unwinding

Video and Press Release: 

Charity founded by Duchess of Kent releases film of memories to celebrate her 90th birthday 

Wednesday 22nd February

The charity Future Talent has today released a video to celebrate the 90th anniversary of The Duchess of Kent, capturing memories of her work with the charity since she co- founded it in 2004. 

The video is set to a piece of music entitled Beauty will save the world, dedicated to the Duchess in honour of her birthday by young composer, pianist, and harpist Maddy Chassar-Hesketh (17) from Shropshire. Future Talent has supported Maddy for three years, and with their help she has been able to study at Purcell School of Music and the Royal College of Music. Her music has since been performed at Wigmore Hall, Maida Vale Studios, and the BBC Proms among many others. 

Future Talent’s mission is to unlock the potential of young musicians from low-income backgrounds across the UK. The Duchess of Kent was inspired to set up the charity because of the children and young people she met while working as a music teacher for 13 years at a primary school in Hull. 

The newly released film includes audio of her explaining the story behind the charity in her own words, “The start of Future Talent initially was all about these children... wonderfully talented children with the ability to get right to the top in their career and no options open for them whatsoever. Somebody had to find those stepping-stones... that pathway, climbing that wall and onto something. If they believe in themselves, they can do it and we will help them do it.” 

Composer Maddy Chassar-Hesketh said, “Happy Birthday to HRH The Duchess of Kent. Thank you for your work for the musicians of tomorrow. I hope you like my piece. The advice and help of Future Talent has made a huge difference in my music making.” 

Nicholas Robinson, Future Talent Chair, who co-founded the charity with the Duchess of Kent said, 

“On behalf of the Trustees, I send Katharine all our love and very best wishes for a happy birthday. Your passion for music and helping young people has touched so many lives over the years and you are an inspiration - thank you!” 

Commissioned by the BBC for the BBC Concert Orchestra

The first performance of What We See in the Stars was given by the BBC Concert Orchestra, conducted by Hugh Brunt, at Watford Colosseum, on 13th April 2021. The piece follows the cycle of the Moon through the seasons. The Moon is associated with the ebb and flow of both the physical and non-physical. 

I wanted to create this sense of gradual energy change in the piece through the long-sustained chords that reach out to silence... And then return. The cycle starts and ends with the Winter Moon. During the piece, the music travels through the 4 seasons. 

This is from my 2022 album 'From Galaxies to Cells & other tales from Across the Universe' 

Album Notes... 

‘I have gone out into the wilderness, fleeing from the works of men, to recover the sense of eternal beauty. What contentment there lies in this free abandonment of the voice of nature? Do you find the external, the world of experience in which you move, confirming the needs of your soul? Or do you see the darkness, the horror and the smoke only, and not the little stretch of the purest sky? Then revolt and again revolt until beauty spreads across your horizon’. 

This is taken from my 2022 album 'Galaxies to Cells & other tales from across the Universe'. 

Album notes; 

‘This was the religion of the poet and the artist, so must it be ours. That it was now left to the creative arts to stand at the frontiers of life; to guard its happiness, and to preserve its sanctuary. Beauty precedes Freedom. Beauty will save the world.’ 

This was a winner at the BBC Radio 3, 30 Second Composition Competition in 2020.

It's a meditational piece for solo harp 

The beginning and end of the piece evoke the raindrops falling out of rhythm as the shower slows to a halt.

The middle section hopefully evokes a sense of wonder in the listener. I feel the harp lends itself perfect to the depiction of raindrops. 

It was inspired by a rainbow in the Welsh Hills. 

There is a version also played by Louise Martin, Harpist with the BBC Symphony Orchestra below:

https://www.bbc.co.uk/programmes/articles/TByVm765XjYpg6b8y5MCzM/bbc-young-composer-30-second-composition-challenge  - Louise Martin – Harp, BBC Symphony Orchestra

This piano motive I wrote aged 13 - this recording is the original.

The stream was outside our house - that's the stream in the background along with the birds in the valley.

All the streams of Wales are heading towards to sea - in their own way!

I think I will use this riff in a piece at some point :) 

There is always light - even behind the darkest clouds.

I wrote 'The Light in Dark Clouds' in 2019 whilst still at Birmingham Conservatoire.

It's a meditative sound journey to all those who look to the sky.

For Piano, Harp, Percussion and up to 8 cellos (or a combination of violins, violas and cellos).

It's been great recently to revise and explore this piece again- hopefully, I'll be able to hear it performed at some point! 

From Galaxies to Cells wins at the BBC Proms. It's a sound journey through time and space for full orchestra. 

Please note the audio version below is the full 12-minute version.

The 5-minute proms version is available as a score with programme notes to download from the scores page.